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NewsBox 1 - NAMM Show 2005 Separator Rogue Amoeba - Audio Hijack Pro - NiceCast Separator
The most comprehensive NAMM Show report for electronic musicians and DJs. Futuremusic reports on the good, the bad, and the downright ugly.
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STS9 (Sound Tribe Sector 9) - ARTiFACT
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ARTiFACT: Proof of existence in an evolving world. An ode to preservation and change. The 20 songs on ARTiFACT reflect a songwriting style that approaches composition through what can best be described as sound sculpture, providing a perfect balance to STS9's unique approach to live performance and improvisation with the hooks and melodies of traditional song structures. LISTEN!
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Beatport - Futuremusic - My Piano
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Soaring melodies fuel a music time machine launching the listener to the top of a world yet discovered. Reminiscent of the early works of Sasha and BT, My Piano's uplifting melody, combined with a funky, asymmetrical bass line creates a progressive, feel-good vibe on the floor while providing a memorable hook to take home until you next adventure in club land. LISTEN!
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Killer Progressive Tribal House from Spain's BeatFreak Recordings. Dark Iberican beast, dense pulsing basslines, it doesn't get much better than this Black Magic! LISTEN!
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Alienware Ozma


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February 3, 2005

../ 2005 NAMM Report: Behringer

Speaking of Roland, Behringer continued its quest to clone the best selling products of other companies, this time ripping off Boss' entire line of stomp boxes. The lawyers at Boss, a division of Roland, must be salivating at the gargantuan lawsuit that they are cooking up. Many of us in the industry were flabbergasted at Behringer's audacity. Behringer completely duplicated the style, box shape, knob position and even the font of the pedal names and control descriptions. The line was obviously an attempt to confuse the marketplace. Not cool.


Behringer Stomp Boxes


On the DJ front, Behringer introduced a really poorly designed USB audio interface/controller for software mix programs called the B-Control DeeJay BCD2000. The unit was obviously not designed BY DJ's because the pitch and volume sliders severely impeded the use of the scratch wheels.


Behringer BCD2000


The B-Control DeeJay BCD2000 was very cheap looking, and the fit and finish was on par with a toy instead of a musical instrument. Pure crap.
www.behringer.com

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Experiments In Sound
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As the name correctly implies, Experiments In Sound, is Futuremusic's latest endeavor for pushing electronic music technology to the very edge of what's possible. Experiments In Sound grew out of Futuremusic's avant-garde events in New York City that featured DJ's taking mixing and live sound reinforcement to a whole new level with the very latest gear and software. Be the first to hear about Experiments In Sound by joining Futuremusic Direct.

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Experiments In Sound: TestDrive

Part of Experiments In Sound, TestDrive will feature the lab results of our DJ Experiments so that everyone can get in on the action. Take the latest electronic music releases, mix vigorously with bleeding-edge DJ technology in a large beeker, and then cook the hell out of it! Be the first to hear about TestDrive by joining Futuremusic Direct.

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Futuremusic Presents... The Next Big Thing

Futuremusic wants to thank everyone who participated in The Next Big Thing 2004. John Digweed, Beatport, Alienware, M-Audio, Native Instruments, IK Multimedia, PVDJ, PK Graphics, Ableton, The DubHouse, Propellerheads, Technics, FreeFloat, The Church, PCDJ and every DJ who entered this year's event thank you. From the sheer number of quality mixes, we can tell you that dance music is thriving in the United States. The amount of outstanding talent and creativity really blew us away, and every DJ who's putting their heart, mind and soul behind the music is a winner. John Digweed has made his decision and the winner is...

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