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CD Spotlight
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William Orbit - Hello Waveforms
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Once again, William Orbit demonstrates why he is one of the most diverse and provocative electronic music artists today. Hello Waveforms, an ambient excursion with distinctive melodies and thick atmospheres, showcases Orbit's dynamic talents as a performer and producer without conceit. Many of the fragrant tracks including "Sea Green" and "Humming Chorus" are perfect for reflection after a long night in the clubs or looking up at the stars. Just gorgeous. LISTEN!
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Digital Spotlight
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Digital Download Spotlight
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John Digweed unleashes a fresh selection of Bedrock classics along side of all new bangers in this relentless mix for AOL DJ Sessions. Released on the new INgrooves digital label. LISTEN!
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Vinyl Spotlight
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As Zoo Brazil and Laid, this Swedish duo have been behind some of the better selling underground house records of the last couple of years. Boy is warm, sensual Deep house wrapped around pulsing four on the floor drums. Slade keeps things raw and stripped back, with skittering old school machine rhythms joining scattered bleeps for a late night jack track. LISTEN!
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January 6, 2005

../ Sony CD Protection Fiasco Reveals
     Social Flaws

Label To Settle Class-Action Suits For Trying To Protect Assets

Sony BMG announced that it has agreed to settle several suits regarding its controversial attempt to protect their CD releases from piracy. The settlement proposes a combination of replacement CDs, free downloads and monetary compensation. Sony's copy protection debacle centered around First 4 Internet's invasive XCP "spyware" which not only utilized "rootkit" techniques to render itself invisible on consumer's hard drives without user authorization, but also opened up consumer's computers to Trojan horses allowing infected computers to be controlled remotely. The public backlash against Sony was understandable, however the instant pile-on from the legal community was fascinating.

The major issue that was brushed aside from the media and the litigation-happy American lawyers, who instantly sued the concern for a mostly harmless software install, was "do record labels have the right to protect their content?" From the reaction, the answer is no.

It is undeniable that Sony made a huge error in selecting First 4 Internet's CD protection technology. However, the label was merely trying to thwart end-users from ripping the CDs and illegally trading them via the Peer-To-Peer (P2P) networks. Sony's intention was certainly not to open up its consumer's computers to hazardous viruses. First 4 Internet is the company that should be in the line of fire. Yes, Sony is responsible. Whoever green-lighted the XCP technology without proper testing at Sony should be tar-and-feathered, but don't kick the company in the teeth for trying to protect their content.

The worst part of this unfortunate scenario is the instantaneous litigation that was initiated by American attorneys. It was almost like they were had all the paper work all ready to go except for the date. Were the lawyers interested in the bigger picture - a company trying to protect its assets? No. The lawyers smelled money, and decided to punish Sony for making an error in judgment on the technology they chose to protect themselves. And what exactly were the damages to end-users? They couldn't rip the CDs, some users had problems removing the software? How many plaintiffs actually lost files or had their operating system rendered useless? A handful? Fact is, only after the flaw in XCP was revealed did Trojan horses emerge to take advantage of the security flaw.

The public's message to record labels is: You're not allowed to protect your assets. Look at the end result; not only is Sony settling the case by issuing refunds, free downloads and replacement CDs, but they are dumping all copy-protection from their CDs including technology from SunnComm. Although SunnComm's MediaMax protection has not been proved to hurt users PCs, Sony is allowing consumers who have purchased SunnComm releases to replace their CDs with non-protected versions. In addition, Sony will not implement the technology in future releases. Thus, First 4 Internet's shoddy technology has hurt the entire field of copy-protection.

Sony is now in damage control mode trying to put the whole episode behind them. By swiftly offering a settlement, the concern hopes to move forward without dragging out a class action lawsuit. Several groups have started a campaign to boycott Sony artists, but this hasn't gained any real traction if you look at sales numbers. To add insult to injury, First 4 Internet's patch, that Sony posted on their site, was flawed and had to be updated since it was doing worse damage than the original install.

For the advanced user, finding a workaround for virtually any copy-protection software is never a problem. So why have Sony and other labels gone to such great lengths to protect their content? Sure, anything they can do to make it harder for the consumer to rip CDs into MP3 files for trading with friends - or worse, on the Internet - is a benefit. However, many analysts agree there could be legal ramifications in the future if the labels don't attempt to aggressively protect their assets today.

The Future: There are many takeaways to reflect on regarding this fiasco.
To deflect the scorn and identify the real culprit, Sony should have immediately instituted a lawsuit against First 4 Internet when the whole fiasco erupted. Concurrently, they should have publicly fired the Sony employee(s) responsible for instituting the technology. But they did neither and they have lost a lot of face because of their public reaction.
It is completely fair for a label like Sony BMG to protect their content to the best of their abilities, but don't punish your customers in the process, either by infecting their computers with harmful software or by not allowing the songs to be downloaded to an iPod.
Additionally, it only takes a one savvy individual to crack the copy-protection, burn MP3's and then post them on a P2P network, to rendering the entire technology moot for each CD.
And finally, when are respected institutions like Sony going to learn that you don't outsource your technology requirements to companies who name themselves First 4 Internet?

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Experiments In Sound
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As the name correctly implies, Experiments In Sound, is Futuremusic's latest endeavor for pushing electronic music technology to the very edge of what's possible. Experiments In Sound grew out of Futuremusic's avant-garde events in New York City that featured DJ's taking mixing and live sound reinforcement to a whole new level with the very latest gear and software.

Now Experiments In Sound has become The Ultimate Mix Contest...

After the tremendous success of our groundbreaking The Next Big Thing DJ Contest, Futuremusic has decided to once again create a new paradigm...
Learn more about Experiments In Sound!

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Futuremusic Presents... The Next Big Thing

Futuremusic wants to thank everyone who participated in The Next Big Thing 2004. John Digweed, Beatport, Alienware, M-Audio, Native Instruments, IK Multimedia, PVDJ, PK Graphics, Ableton, The DubHouse, Propellerheads, Technics, FreeFloat, The Church, PCDJ and every DJ who entered this year's event thank you. From the sheer number of quality mixes, we can tell you that dance music is thriving in the United States. The amount of outstanding talent and creativity really blew us away, and every DJ who's putting their heart, mind and soul behind the music is a winner. John Digweed has made his decision and the winner is...

Think you got skills?? Then start practicing! The Next Big Thing 2005 will kick off at the end of the summer!!

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